With Queens of the Stone Age in the middle of a UK arena tour, we’ve decided to highlight
five of the bands best tracks for this edition of "Fives".
We've got the new EP from Yorkshire riff merchants NOSE right here! Take a listen to 'Sick
Continuing our Reuben theme from last week’s Fives and in celebration of frontman Jamie Lenman’s new double solo album, we take a look at two of the albums for "Versus". Its
‘Racecar Is Racecar Backwards' against 'In Nothing We Trust'.
Calgary's debut EP 'Fight Fire With Fire' is a bright, warming collection of indie pop songs.
With comparisons to Hellogoodbye and John Mayer, the four tracks showcase a band with pop sensibilities and plenty of potential to breakthrough. We caught up with the band to find out more.
Returning with their first album in six years, 'Balancing' sees Hertfordshire’s The October Game showcase dynamic growth and versatility with a brooding undertone throughout. Already Heard recently spoke to Luke Williams and Nick Kozuch to discuss the album in
more detail; the writing process, its various packages, and working with Scylla Records.
Canada’s Sleepless certainly didn’t give me much information to go off in terms of the background of the band. It is safe to say that I still don’t know too much about them now. What I do know is that their blend of progressive, hard rock is a strong sound for a band in their infancy. Mixing between soft and gruff powerful vocals, intricate guitar and bass work it is a sound that is not new but is being done well.
Opening track 'So Low, Solo' demonstrates brilliant vocal harmonies, twiddly emo vibe guitars and an outro reminiscent of ‘In Keeping Secrets…’ era Coheed and Cambria. 'If I Were to Say' is an example of a grittier sound, the song still holds that progressive vibe (albeit the shortest track on the EP) but it it develops from the softer tones of the opening track.
By the third track they have developed and brought together the sounds of the twiddly and intricate musicianship of the opener and heavier style of the following track to create what could be said is the definitive Sleepless sound. 'Faces In Clouds' and 'Heavy Eyes' both follow this style and there is not much else to say about them. 'Anchored' their closing track, provides a great finish with the accompaniment of strings and a familiar choral style ending.
As I have already pointed out this is a band in their infancy, and as I don’t know much of their background I can only presume things. If this is the members first band then for a début you couldn’t have a better starting point; they have a brilliantly produced selection of songs here. Their musicianship and song writing cannot be faulted, neither can their creativity. They are a group who with time, will get better and better, you cannot go wrong with a début this strong.
'Unsteady Hands' by Sleepless is available now on Bandcamp.
Words by Robert Maddison (@bertmaddison)