This week Canterbury emo-rock four piece Moose Blood release their debut full-length.
Entitled 'I'll Keep You In Mind, From Time To Time', the record contains eleven songs that
wear their hearts on their sleeves and is wrapped in a plethora of catchy hooks. We spoke to two fourths of the band as drummer Glenn Harvey and bassist Kyle Todd discussed the
album, working with Beau Burchell, joining up with No Sleep Records, and more.
The new EP from Manchester's Hora Douse, 'Crash' is streaming right here on Already Heard. Give it a listen and relive those older days when post hardcore could be a little bit twangly.
Last month we were spoilt for choice when it came to picking our must hear releases for September, and October is no different. Find out what the Already Heard team picked out as their five essential releases for October.
On Monday November 3rd, Midland hardcore punk band We Fight Like Kids release their
debut EP, 'Superficial Behaviour'. However we're premiering their new video for 'Falconer' right here on Already Heard.
For Scottish quartet Alburn, their latest EP ('Mouthful of Glass') has been a longtime coming. Having undergone a slight line-up since their formation in 2007, 'Mouthful of Glass'
showcases a significant amount of growth and maturity. We spoke to Pete Duthie to ask him about the bands background, that inevitable Brand New comparison, the Scottish music
scene and more.
On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
Sometimes, there really is a beauty in chaos, and We Were Skeletons embrace it warmly. 'Blame and Aging' is the bands third full length and the follow up to 2008’s Self-Titled record.
There has been a resurgence in this type of screamo influenced hardcore recently, and as always with music there are bands that do it well, and bands that don’t. We Were Skeletons, however do it exceptionally well, especially on ‘Blame and Aging.’
The band have focused on their sound and honed it to be undoubtedly one of the best heavy records of the year. It opens with a serene introduction, that a minute later descends into a wave of guitars and pounding drums. The band transition from chaos to beautiful clean sounding passages with ease, giving a sense of calm within the storm of the opening track.
In 'The Buried Seat' we get some great basslines which sound prominent in the mix, this blends in with some interesting guitar works and the vocals rage above it all. 'Disease Artist' is another standout track on the record, it reminds me slightly of another Topshelf Records band, Pianos Become The Teeth but this is no bad thing.
The record travels along at a fast pace, and the four and five minute songs don’t feel overly long, as they are kept interesting by some great musicianship, and clever song structures. The title track 'Blame and Aging' is another standout for me personally, whilst it has no vocals what it does is provides a brief respite in the middle of the record, and give you a chance to take in the first half, before entering its second and final act.
During the closing three songs of the record 'Tremors', ‘Pain Is Not The Cleanser’ and the records finale 'Haunting The Ghost' the emotion that has built throughout the record rises to a fever pitch, there is no worry of the album simply fading away at the end, there are some great moments in the last track, the group vocals really add to the track and will hopefully transition well in a live setting.
We Were Skeletons have exceeded the expectations with 'Blame And Ageing' and created, for me one of the absolute best records of this genre. It improves on their previous work, but still manages to feel fresh and exciting. It won’t be for everyone, but for fans of the band and genre it will certainly please.
'Blame And Aging' by We Were Skeletons is out on the 22nd October through Topshelf Records.
Words by Ryan Clayton.