
Review: Bones Shredder – Morbid Little Thing
Randy Moore steps out from the shadows with a horror-tinged power-pop record full of hooks and melodies that linger

Randy Moore steps out from the shadows with a horror-tinged power-pop record full of hooks and melodies that linger

Returning Minnesota power-pop-punks spring back into life with a digestible collection full of self-discovery and acceptance.

Emerging Oxfordshire post-hardcore group set the bar high with a compelling and deeply emotional EP.

Exploring ego and paranoia through chaotic yet beautiful soundscapes, the progressive metallers’ genre-bending ambition is masterful.

‘Hell Is An Airport’ makes for a fitting introduction to Liquid Mike; hook-laden, self-aware, and brimming with humour and raw catharsis.

With raw storytelling and melodic warmth, the emerging Michigan emo trio show personal and musical growth on album no. 2.

A demanding five-act journey, ‘No One Was Driving the Car’ finds La Dispute weaving themes of identity, hope, and environmental ruin.

On their second album, the Baltimore trio evolve with raging defiance, spiritual refuge, and socio-political angst.

The London duo’s third album blends groove and bold experimentation into a strong, enjoyable outing.

ATG 2025 saw diverse headliners bring mixed results while emerging acts and festival favuorites created unforgettable moments.
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