This week Canterbury emo-rock four piece Moose Blood release their debut full-length.
Entitled 'I'll Keep You In Mind, From Time To Time', the record contains eleven songs that
wear their hearts on their sleeves and is wrapped in a plethora of catchy hooks. We spoke to two fourths of the band as drummer Glenn Harvey and bassist Kyle Todd discussed the
album, working with Beau Burchell, joining up with No Sleep Records, and more.
The new EP from Manchester's Hora Douse, 'Crash' is streaming right here on Already Heard. Give it a listen and relive those older days when post hardcore could be a little bit twangly.
Last month we were spoilt for choice when it came to picking our must hear releases for September, and October is no different. Find out what the Already Heard team picked out as their five essential releases for October.
On Monday November 3rd, Midland hardcore punk band We Fight Like Kids release their
debut EP, 'Superficial Behaviour'. However we're premiering their new video for 'Falconer' right here on Already Heard.
For Scottish quartet Alburn, their latest EP ('Mouthful of Glass') has been a longtime coming. Having undergone a slight line-up since their formation in 2007, 'Mouthful of Glass'
showcases a significant amount of growth and maturity. We spoke to Pete Duthie to ask him about the bands background, that inevitable Brand New comparison, the Scottish music
scene and more.
On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
House Vs. Hurricane’s newest album 'Crooked Teeth' is the band’s first full length since their complete lineup change. New lead vocalist Dan Casey leads this Australian post-hardcore effort in an unrelenting, hardcore rock fest that never stops punching you in the face with everything you love about post-hardcore music.
'Crooked Teeth' is an interesting mix of super heavy guitars, drums, and vocals with melodic choruses sung by clean vocalist Ryan McClerie, and the songs that are able to balance these two sides of the spectrum. 'Big Trouble' employs technical guitar elements and McClerie’s clear voice in the chorus, which smashes up against Casey’s gruff screams and the chugging guitars and pounding drums. The same goes with 'Lost World,' which has so many layers that keeps it from getting lost in the album.
Perhaps the best track, though is 'Moon Shine,' which is more centered around McClerie’s clear, almost pretty voice. The music on this track is simple and doesn’t overpower either McClerie or Casey’s voices. Casey screams surprisingly beautiful lyrics and the instruments remain restrained, but retain the heavy elements the band excels at. It is hard to find post-hardcore bands that are able to strike such a perfect balance between melodic and heavy elements, and it is refreshing to find it on 'Crooked Teeth.'
On the other side of these beautifully balanced tracks is ones filled with heavy elements that only serve to drown out the technical and more melodic elements that make them stand out. Constant chugging guitars and unrelenting pounding drums may sound good in theory, but it’s way overused and heavy-handed on some tracks, like 'Get Wrecked' and 'Haters Gonna Hate,' which end up sounding bland and overdone. Focusing more on the technical elements and arrangements instead of relying on loud sounds and rhythms will take House Vs. Hurricane to another level.
House Vs. Hurricane is talented beyond doubt. They use very interesting arrangements that are able to make their songs unique and they aren’t afraid to mix styles and genres within their songs. The last track on the album proves this, as 'Bare Bones' relies on simple electronic music and McClerie’s simple vocals for a romantic ballad type song, full of crescendos and piano melodies that leave you in a completely different place than where you started. It’s a beautiful song done with such delicacy it’s hard to believe it came from the same band that previously gave you Bring Me the Horizon-esque 'Dead Lizard.'
'Crooked Teeth' proves that House Vs. Hurricane isn’t phased by their new lineup and the challenges that inevitably come with such an upset. While some moments feel heavy for the sake of being heavy, others are technical and powerful. If this band can strike a more coherent balance, they will be one to watch in the future.
'Crooked Teeth' by House Vs Hurricane is out now.
Words by Jenny Gagas.