After receiving a five star review last month, next Monday sees the UK release of Twin Forks' self-titled debut album. However we're giving away three copies of the album. Find out how you can win one of thee copies here.
With Spring fast approaching and festival season starting soon, March sees a whole load of noteworthy releases. We take a look at five of the must hear releases this month.
Having only just formed last summer, Leeds punks Brawlers have quickly made a name for themselves for their insane live show. Now the quartet have unleashed their utterly brilliant debut EP 'I Am A Worthless Piece of Shit', an infectious collection of fun punk rock numbers. We talked to vocalist Harry George Johns to find out why the longtime friends formed
Brawlers and what 'I Am Worthless...' is all about.
After delivering one of the early contenders for album of the year, we catch up Modern Baseball to discuss ‘You’re Gonna Miss It All’, their forthcoming debut UK tour and miming
at the World Series.
In the second part of our "Studio Report" feature with Colt 45, the Cumbria punks finish their debut LP producer Romesh Dodangoda by recording vocals and more guitars. Take a look.
In the first of our new fortnightly feature where we highlight some of the most promising
bands in the pop-punk world, we talk to New York's Firestarter.
In the latest instalment of our "Tour Tales" feature, we join Wakefield quartet Morain on their recent tour supporting Durham four-piece Alexander.
With lead vocalist Matt Pryor having recently completed a solo UK tour, we highlight two albums from The Get Up Kids for the latest edition of "Versus". Already Heard writer Tom
Knott explains why 'Something To Write Home About' is "pure gold". Whilst Senior Editor
Sean Reid shows us why 'Guilt Show' shouldn't be dismissed.
Oh metalcore. The fusion genre might not have its foundations rooted in experimentation or variety but, having most certainly reached the peak of its commercial success a few years back, its critical appreciation has also gradually faded through the sheer erosion of metalcore’s constant onslaught. In its divisive universe, even the subgenre of punk’s (or sometimes metal, the border is often shady at this point) toughest critic can sometimes appreciate what a band are doing right. In the case of metalcore, doing things right involves following a short set of rules: play hard, scream loud and BREAKDOWNS.
Enter Canadians Mr. Erian (formerly of Despised Icon), Mr. Lepage (formerly of Blind Witness), Mr. Campbell, Mr. Wood and Mr. Morotti. Together, this congregation of men form Obey The Brave and they release a debut called ‘Young Blood’. The quintet make it fairly clear from opener ‘Lifestyle’ where they fit on the sonic spectrum: mid-tempo groove-laden riffs, low-pitched growl vocals sometimes accompanied by enthusiastic friends and as much heaviness as the sound space will allow. To be as clear as possible, the band’s style wavers very little over the course of the album, some might consider it tiresome after a while, some will relish its comfortable repetitiveness.
A couple of songs, however, do manage to stand out within the uniformism. ‘Live And Learn’ powers forward at a higher tempo than some of the album’s sludgier offerings and introduces a flirtation with melodic hardcore. The latter sections are nicely fit into the arrangement, serving as both a catchy moment to breathe as well as a contrast with the heaviest breakdowns to follow. ‘Get Real’ is, arguably, one of the heaviest tracks on ‘Young Blood’ and virtually plunges into the endless depths of hell to find the dirtiest riffs and the most absurdly violent beatdowns possible. There’s even another touch of that melody.
‘Early Graves’ is a relentless track, and another that makes use of a pace a notch above the rest. Closer to punk, it sprints like a speeding train towards the inevitable lunge, my chosen allegory for the track’s similarly inevitable breakdown. Obey The Brave are ‘Young Blood’, though they have two members experienced in the ways of deathcore, but they also very much tread a way that was paved long ago and trodden many times. There’s enough bite to back up the bark here though and credit is due to their commitment to reaping the souls of their listeners. Oh, ‘Burning Bridges’ has a lovely clean chorus too.
'Young Blood' by Obey The Brave is out now on Epitaph Records.
Words by James Berclaz-Lewis (@swissbearclaw)