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On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
With the festival season more or less over for another year, it’s time for a whole load of
exciting releases to see the light of day. September sees a plethora of exciting releases, so much so that the Already Heard team were spoilt for choices when it came to picking this months must hear releases. Nevertheless they've completed the tricky task and picked out their five must-hear releases for the coming month.
With their combination of refreshingly introspective lyrics, crisp riffs and bouncy choruses, Homebound tick all the right boxes when it comes to promising UK pop-punk bands. Their debut EP, 'Coming of Age' sees the young band make a confident first mark on the ladder to greater things. We spoke to the band to discuss the importance of a debut release, and the comeback of pop-punk.
Packing stadium sized rock anthems with an incredibly striking emotional punch, and graced with one of the most staggeringly unique vocal talents to have graced the UK Rock scene in a long time, Cambridge’s Lonely The Brave have become one of the single most talked about new bands to emerge in recent years. With their debut album ‘The Day’s War’ finally released this week, Already Heard caught up with lead guitarist Mark Trotter and Bassist
Andrew Bushen at last weekend’s Leeds Festival.
We've got a full review, live photos and interviews from one of the highlights of the summer - Leeds Festival.
Anyone who knows me well will tell you I am a big fan of Pop Punk, and over the last few years the genre has made somewhat of a renaissance with a whole crop of new bands becoming popular. Whilst many labels have benefited from this, including California’s Pure Noise Records, which has made a reputation for itself by consistently releasing really good Pop Punk and Hardcore releases; The Story So Far, The American Scene, and Forever Came Calling. However despite this high standard, I have to admit I was left disappointed from the labels latest offering - State Champs.
'Overslept' is a quick blast of standard Pop Punk that more than often fails to live up to expectations. Admittedly coming it at just the 11 minute mark and with only four songs; the first ('Tonsil Hockey') being a 40 second instrumental intro, State Champs don’t give themselves enough time to make a solid impression. Nevertheless the Albany, New York group hit all the right marks with 'Critical' and 'We Are the Brave' showing the bands energetic, bouncy sound yet it doesn’t quite grab you and sounds very unoriginal.
One saving grace from 'Overslept' is vocalist Derek Discanio has the potential to define the bands future sound with a powerful set of lungs that soar in the right places and bite during the bands more aggressive, up-tempo moments ('Remedy.')
Ultimately State Champs' début release doesn't quite have that same zest that other bands within the genre have thrived off in recent times. Because of this 'Overslept' has the tendency to leave you into easily comparing them to everyone from All Time Low to The Wonder Years. Whilst the foundations are subtly there to do great things; their style is straight to the point and fans of massive hooks will fall for this, yet you can’t help but think State Champs are one band that may fall into obscurity in a genre that is becoming clustered.
'Overslept' EP by State Champs is available now on Pure Noise Records.
Words by Sean Reid (@SeanReid86)