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This week Canterbury emo-rock four piece Moose Blood release their debut full-length.
Entitled 'I'll Keep You In Mind, From Time To Time', the record contains eleven songs that
wear their hearts on their sleeves and is wrapped in a plethora of catchy hooks. We spoke to two fourths of the band as drummer Glenn Harvey and bassist Kyle Todd discussed the
album, working with Beau Burchell, joining up with No Sleep Records, and more.
The new EP from Manchester's Hora Douse, 'Crash' is streaming right here on Already Heard. Give it a listen and relive those older days when post hardcore could be a little bit twangly.
Last month we were spoilt for choice when it came to picking our must hear releases for September, and October is no different. Find out what the Already Heard team picked out as their five essential releases for October.
On Monday November 3rd, Midland hardcore punk band We Fight Like Kids release their
debut EP, 'Superficial Behaviour'. However we're premiering their new video for 'Falconer' right here on Already Heard.
For Scottish quartet Alburn, their latest EP ('Mouthful of Glass') has been a longtime coming. Having undergone a slight line-up since their formation in 2007, 'Mouthful of Glass'
showcases a significant amount of growth and maturity. We spoke to Pete Duthie to ask him about the bands background, that inevitable Brand New comparison, the Scottish music
scene and more.
On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
Anyone who knows me well will tell you I am a big fan of Pop Punk, and over the last few years the genre has made somewhat of a renaissance with a whole crop of new bands becoming popular. Whilst many labels have benefited from this, including California’s Pure Noise Records, which has made a reputation for itself by consistently releasing really good Pop Punk and Hardcore releases; The Story So Far, The American Scene, and Forever Came Calling. However despite this high standard, I have to admit I was left disappointed from the labels latest offering - State Champs.
'Overslept' is a quick blast of standard Pop Punk that more than often fails to live up to expectations. Admittedly coming it at just the 11 minute mark and with only four songs; the first ('Tonsil Hockey') being a 40 second instrumental intro, State Champs don’t give themselves enough time to make a solid impression. Nevertheless the Albany, New York group hit all the right marks with 'Critical' and 'We Are the Brave' showing the bands energetic, bouncy sound yet it doesn’t quite grab you and sounds very unoriginal.
One saving grace from 'Overslept' is vocalist Derek Discanio has the potential to define the bands future sound with a powerful set of lungs that soar in the right places and bite during the bands more aggressive, up-tempo moments ('Remedy.')
Ultimately State Champs' début release doesn't quite have that same zest that other bands within the genre have thrived off in recent times. Because of this 'Overslept' has the tendency to leave you into easily comparing them to everyone from All Time Low to The Wonder Years. Whilst the foundations are subtly there to do great things; their style is straight to the point and fans of massive hooks will fall for this, yet you can’t help but think State Champs are one band that may fall into obscurity in a genre that is becoming clustered.
'Overslept' EP by State Champs is available now on Pure Noise Records.
Words by Sean Reid (@SeanReid86)