Having finally released début album ‘Blood And Chemistry,’ we met up with vocalist/guitarist Andrew Groves to discuss the new album, being compared to Biffy Clyro and more.
Currently on tour with The Summer Set and a new EP set to be released soon, we caught
up with New Forest's Natives to talk about the new EP and album, the UK rock scene, the transition from being Not Advised to becoming Natives and much more.
This week Lansdale, Pennsylvania’s The Wonder Years released their fourth album - ‘The Greatest Generation,’ a record that sees the pop punk quintet reach their creative peak in a number of ways. With a wealth of material in their discography, Already Heard's Sean Reid and Tom Knott took on the tricky task of picking out the five best songs from The Wonder Years. Find out what we picked and let us know if you agree or disagree?
Following the release of their superb 'Signals' album, Mallory Knox have certainly become ones to watch in recent months. We caught up with the band to discuss joining Search & Destroy Records, how vital the festival season and touring are, what it feels like to be a part
of the expanding British rock scene and much more.
Over The Ocean have crafted a compelling, brooding record with their latest effort ‘Be Given To The Soil.’ With intense specific precision and delicate accuracy that echoes the likes of Explosions In The Sky and Sigur Ros. Jesse Hill from the band to discusses how the
album came together, the importance of precision, being compared to post-rock pioneers and more.
After a top ten UK album and an outstanding UK tour with festival dates on both sides of the Atlantic to follow, Bring Me The Horizon are having a fantastic 2013 and are now featured in the latest edition of "Versus." It's ‘There is a Hell, Believe Me I’ve Seen It. There is a Heaven, Let’s Keep it a Secret’ vs the bands latest release, 'Sempiternal.'
The Retrospective Soundtrack Players is an eclectic mix of punk, rock and folk. An interesting and diverse mix, they’ve released a split “7 with Frank Turner and have toured the UK with The Walkmen, King Charles, Chris T-T and more. And this five-piece also like to create albums based on their favourite books and/or films. And this time, the book lucky enough to receive such treatment, is J.D. Salinger’s ‘The Catcher In the Rye’, published in 1951.
‘Comin’ Thro’ the Rye’ melds into ‘The Catcher In the Rye’, a heart-warming opening track. Twanging and folk-inspired riffs slide over smooth, comfortable vocals – gravelly yet deep, they’re soothing to listen to, and are evident during tracks such as ‘For D.B.’ and ‘The Wicker Bar’.
Tracks such as ‘Pencey Prep’ and ‘Woman Just Kill Me’ feature gentle acoustic-folk guitars. Harmonicas are to be found during ‘Where Do the Ducks Go At Winter?’ a sweet and slow enough track for people to relax and hum along to. A melodic rhythm section keeps the tracks strong and steady; strong drum work during ‘Smart Girls For Talking, Morons For Dancing’ builds a fantastic structure for the song.
During closing track ‘For Phoebe’, a harmonic bass and slick riffs round off ‘The Catcher In the Rye’ well. The Retrospective Soundtrack Players are energetic, but not in the sense that they’re straight up in your face. They keep up an unfaltering pace through the album, a steady pace that’s difficult to match.
‘The Catcher In the Rye’ by The Retrospective Soundtrack Players is available now on Xtra Mile Records.
Words by Jessica Tagliani (@JessTagliani)