On Monday November 3rd, Midland hardcore punk band We Fight Like Kids release their
debut EP, 'Superficial Behaviour'. However we're premiering their new video for 'Falconer'
right here on Already Heard.
For Scottish quartet Alburn, their latest EP ('Mouthful of Glass') has been a longtime coming. Having undergone a slight line-up since their formation in 2007, 'Mouthful of Glass'
showcases a significant amount of growth and maturity. We spoke to Pete Duthie to ask him about the bands background, that inevitable Brand New comparison, the Scottish music
scene and more.
On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
Packing stadium sized rock anthems with an incredibly striking emotional punch, and graced with one of the most staggeringly unique vocal talents to have graced the UK Rock scene in a long time, Cambridge’s Lonely The Brave have become one of the single most talked about new bands to emerge in recent years. With their debut album ‘The Day’s War’ finally released this week, Already Heard caught up with lead guitarist Mark Trotter and Bassist
Andrew Bushen at last weekend’s Leeds Festival.
I’ve always enjoyed Rolo Tomassi. Whilst some of my friends are completely baffled by the ‘noise’ that they see me thoroughly enjoying I, well, I thoroughly enjoy it. I’ve been listening to them back since the days of 'Film Noir' and watching them progress with each release has been a real progressive movement whilst still retaining that sound that can only define them as Rolo Tomassi.
'Astraea' is further proof then that this progression between albums is a maturing and experienced one, showcasing more complexities, aggression and melodic passages in a tapestry of instruments being played to their absolute maximum by some incredibly talented musicians.
A key part of Rolo Tomassi's sound is of course the complexly written music. The influences from mathcore and progressive music has and always will be clearly evident, with 'Astraea' being no stranger. The opening of ‘Echopraxia’ demonstrates this complexly written passage idea before throwing us into some fantastic riffery courtesy of new axe man Chris Cayfors, before hurling ourselves back to the brawling noise and then back to some riffs before slinking down into this sultry groove.
Eva sounds as terrifically terryfying as ever, even better so when battling with brother James. As always, the final track opens up into this ambient soundscape of absolute epic sounding proportions as Eva lets out her smooth tones for a beautiful finish. A big thank you to 'Illuminaire' and easily my favourite finale track the band have produced.
For myself though this album will be about the melodies. They’ve always been there, but sometimes I’ve found often too short lived. I find that 'Astraea' has a brilliant structure to each song, utilizing the complexities, the aggression and the melodic passages as separate sections and darting back between them all, showcasing new sections in unexpected locations so still keeping that on your toes, frantic and progressive feel that will always be my favourite part of Rolo Tomassi.
It’s so easy for me to say this is my favourite Rolo Tomassi album. 'Astraea' is Rolo Tomassi at their finest and I can only hope that my friends will come to understand the talent that truly lies within.
'Astraea' by Rolo Tomassi is out on the 5th November through Destination Moon.
Words by Mikey Brown (@MikeyMiracle)