On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
With the festival season more or less over for another year, it’s time for a whole load of
exciting releases to see the light of day. September sees a plethora of exciting releases, so much so that the Already Heard team were spoilt for choices when it came to picking this months must hear releases. Nevertheless they've completed the tricky task and picked out their five must-hear releases for the coming month.
With their combination of refreshingly introspective lyrics, crisp riffs and bouncy choruses, Homebound tick all the right boxes when it comes to promising UK pop-punk bands. Their debut EP, 'Coming of Age' sees the young band make a confident first mark on the ladder to greater things. We spoke to the band to discuss the importance of a debut release, and the comeback of pop-punk.
Packing stadium sized rock anthems with an incredibly striking emotional punch, and graced with one of the most staggeringly unique vocal talents to have graced the UK Rock scene in a long time, Cambridge’s Lonely The Brave have become one of the single most talked about new bands to emerge in recent years. With their debut album ‘The Day’s War’ finally released this week, Already Heard caught up with lead guitarist Mark Trotter and Bassist
Andrew Bushen at last weekend’s Leeds Festival.
We've got a full review, live photos and interviews from one of the highlights of the summer - Leeds Festival.
Australia’s metalcore quintet Parkway Drive returns with their eagerly anticipated fourth record ‘Atlas.’ Waiting two years since their third full-length ‘Deep Blue,’ fans have finally been given the chance to get their hands on the band’s latest offering. The new release coincides with a UK/Europe tour that takes place next month with support from Emmure, The Word Alive & Structures.
‘Sparks’ opens the record on a calm note, creating an ambience with soft guitar and bringing in spoken vocals. Emotions rise further with the introduction of Winston McCall’s dark roars and Ben Gordon’s destructive drums. This calmer ambience is soon waved goodbye to with ‘Old Ghost / New Regrets,’ a track that surges with greater energy by introducing heavier riffs and rapid drums.
‘Wild Eyes’ opens with a group vocal chant which is repeated later in the track, these sections guaranteed to work well in a live atmosphere. McCall experiments with his vocals in this track, producing more haunted roars in parts and this combined with the dark breakdowns make this the heaviest track on ‘Atlas’ so far. The record is significantly slowed to start with in ‘The River’ yet Parkway Drive doesn’t lose the heavy atmosphere that has already been created throughout ‘Atlas.’ Their intricate riffs are even more apparent in the slower sections of the track, with less focus on the drums than in heavier offerings.
Title track ‘Atlas’ opens with lone drums, with the welcoming of soft guitar in the foreground of the track and background vocals, mirroring a similar ambience that was created in opening ‘Sparks.’ This is a possible favourite for me on the record, with Parkway Drive experimenting with the more atmospheric side of metalcore yet keeping their heavy presence alive at the same time.
Nearing to the end of the record and after several listens I have liked every track so far; but there seems to be a repetitive element in Parkway Drive’s sound every now and again. This may be because I haven’t listened to much of their material before but I feel like most of the heavier tracks merge into one. Nonetheless, ‘Snake Oil and Holy Water’ is a very admirable, technical sounding track with bullet-speed riffs and drums throughout, complimented as usual by McCalls haunted roars.
All in all ‘Atlas’ is a very commendable fourth full-length record for Parkway Drive. The five-piece take the listener on a journey that twists and turns between calmer and heavier tracks and although there seem to be areas of repetition, ‘Atlas’ is a well written record that I’m sure fans won’t be disappointed with.
'Atlas' by Parkway Drive is available now on Epitaph Recordds.
Words by Hannah Gillicker (@HannahGillicker)