- already-heardmusic posted this
This week Canterbury emo-rock four piece Moose Blood release their debut full-length.
Entitled 'I'll Keep You In Mind, From Time To Time', the record contains eleven songs that
wear their hearts on their sleeves and is wrapped in a plethora of catchy hooks. We spoke to two fourths of the band as drummer Glenn Harvey and bassist Kyle Todd discussed the
album, working with Beau Burchell, joining up with No Sleep Records, and more.
The new EP from Manchester's Hora Douse, 'Crash' is streaming right here on Already Heard. Give it a listen and relive those older days when post hardcore could be a little bit twangly.
Last month we were spoilt for choice when it came to picking our must hear releases for September, and October is no different. Find out what the Already Heard team picked out as their five essential releases for October.
On Monday November 3rd, Midland hardcore punk band We Fight Like Kids release their
debut EP, 'Superficial Behaviour'. However we're premiering their new video for 'Falconer' right here on Already Heard.
For Scottish quartet Alburn, their latest EP ('Mouthful of Glass') has been a longtime coming. Having undergone a slight line-up since their formation in 2007, 'Mouthful of Glass'
showcases a significant amount of growth and maturity. We spoke to Pete Duthie to ask him about the bands background, that inevitable Brand New comparison, the Scottish music
scene and more.
On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
New Jersey based pop-punkers I Call Fives have been slowly infecting people’s eardrums for a while now but this is their first proper album. It’s self-titled and it’s no doubt going to win them a lot more converts to their melodic, radio-friendly pop-punk sound.
Kicking off the record is ‘Late Nights,’ tackling the familiar pop-punk topic of break-ups. Bitter lyrics wrapped in sugary sweet guitars á la Kids In Glass Houses characterise the song, with vocals akin to Boys Like Girls or Mayday Parade. There is a refinement to I Call Fives that few pop-punk bands have, although they tread common ground for the genre with spiteful refrains like “I’m not sorry for a word I said” in ‘The Fall Guy’ these seem wholly appropriate, cathartic and good fun too.
'Stuck in ‘03' acknowledges their influences more explicitly as Fall Out Boy’s seminal album Take This To Your Grave is name-checked. There are both lyrical and musical similarities between I Call Fives and Fall Out Boy, but rather than being stuck in 2003 like the song suggests, the band manage to update and refresh the sound that Fall Out Boy pioneered.
An impressive debut is capped off with ‘Sleep Well,’ another slice of catchy and light-hearted pop-punk in the vein of The Story So Far and in my opinion an album highlight. With songs of this magnitude, and an ever-growing fan base, I Call Fives are on an upward trajectory. Their brand of music is very popular at the moment and there is a sense that this album could be the start of something very big indeed.
This is a neat album of punchy pop-punk songs. I Call Fives tick all the boxes generically, but do so with such eloquence it makes this album worth taking a look at. Though they will not be to everybody’s taste, they sit comfortably in the higher end of an overcrowded pop-punk market. Charming and persuasive music.
'I Call Fives' by I Call Fives is out now on Pure Noise Records.
Words by Tom White (@whiteywitters)