- already-heardmusic posted this
On first listen we fell in love Noyo Mathis and knew that 'Endure' needed to be heard. It's post hardcore meets emo meets indie meets math rock. Take a listen to the full EP right here.
Without a doubt Neck Deep are one of this years breakout bands. After kicking off the year
with the release of their debut LP, 'Wishful Thinking', the Wrexham pop-punk five piece haven’t stopped touring since. From festival appearances throughout the UK and Europe to 2 months in North America as part of the Vans Warped Tour. We caught up with vocalist Ben Barlow and bassist Fil Thorpe-Evans at the Leeds Festival. They discussed their past festival experiences, supporting Blink-182, their up and coming UK headline tour and being
“leaders” of the UK pop-punk movement.
With the festival season more or less over for another year, it’s time for a whole load of
exciting releases to see the light of day. September sees a plethora of exciting releases, so much so that the Already Heard team were spoilt for choices when it came to picking this months must hear releases. Nevertheless they've completed the tricky task and picked out their five must-hear releases for the coming month.
With their combination of refreshingly introspective lyrics, crisp riffs and bouncy choruses, Homebound tick all the right boxes when it comes to promising UK pop-punk bands. Their debut EP, 'Coming of Age' sees the young band make a confident first mark on the ladder to greater things. We spoke to the band to discuss the importance of a debut release, and the comeback of pop-punk.
Packing stadium sized rock anthems with an incredibly striking emotional punch, and graced with one of the most staggeringly unique vocal talents to have graced the UK Rock scene in a long time, Cambridge’s Lonely The Brave have become one of the single most talked about new bands to emerge in recent years. With their debut album ‘The Day’s War’ finally released this week, Already Heard caught up with lead guitarist Mark Trotter and Bassist
Andrew Bushen at last weekend’s Leeds Festival.
We've got a full review, live photos and interviews from one of the highlights of the summer - Leeds Festival.
New Jersey based pop-punkers I Call Fives have been slowly infecting people’s eardrums for a while now but this is their first proper album. It’s self-titled and it’s no doubt going to win them a lot more converts to their melodic, radio-friendly pop-punk sound.
Kicking off the record is ‘Late Nights,’ tackling the familiar pop-punk topic of break-ups. Bitter lyrics wrapped in sugary sweet guitars á la Kids In Glass Houses characterise the song, with vocals akin to Boys Like Girls or Mayday Parade. There is a refinement to I Call Fives that few pop-punk bands have, although they tread common ground for the genre with spiteful refrains like “I’m not sorry for a word I said” in ‘The Fall Guy’ these seem wholly appropriate, cathartic and good fun too.
'Stuck in ‘03' acknowledges their influences more explicitly as Fall Out Boy’s seminal album Take This To Your Grave is name-checked. There are both lyrical and musical similarities between I Call Fives and Fall Out Boy, but rather than being stuck in 2003 like the song suggests, the band manage to update and refresh the sound that Fall Out Boy pioneered.
An impressive debut is capped off with ‘Sleep Well,’ another slice of catchy and light-hearted pop-punk in the vein of The Story So Far and in my opinion an album highlight. With songs of this magnitude, and an ever-growing fan base, I Call Fives are on an upward trajectory. Their brand of music is very popular at the moment and there is a sense that this album could be the start of something very big indeed.
This is a neat album of punchy pop-punk songs. I Call Fives tick all the boxes generically, but do so with such eloquence it makes this album worth taking a look at. Though they will not be to everybody’s taste, they sit comfortably in the higher end of an overcrowded pop-punk market. Charming and persuasive music.
'I Call Fives' by I Call Fives is out now on Pure Noise Records.
Words by Tom White (@whiteywitters)