Review: Crevassian – Crevassian EP
17th December 2018
“‘Crevassian’ wears its influences proudly but moments of pure, unique chaos hint at a truly exciting new project.”
“‘Crevassian’ wears its influences proudly but moments of pure, unique chaos hint at a truly exciting new project.”
Genre-mixing Zeal & Ardor bring their an electric show to Brighton.
Take a read of Sam Seaton’s review.
“‘Dornenvögel’ revels in its wintry sound, exhaling its brutal, dark condensation for all to witness.”
On ‘Live at St Pancras’, Jame Lenman comfortably paints himself as a quintessentially pleasant musician
“‘Nothing Blues’ is emotionally grounded and sees Typesetter taking musical risks.”
‘[Untitled]’ is an elusive beast, difficult to comprehend but a total joy to experience
“It’s huge, dramatic and devilishly wonderful… Behemoth have certainly delivered”
“On ‘Burnt Sugar’, Gouge Away show open rage is a valid therapy… the most delicious blackened mess in punk rock right now”
“‘Million Dollars To Kill Me’ sees Joyce Manor continue to be undeniably themselves”
“one of the most triumphant and impressive prog-rock albums of 2018”
‘The More I Sleep The Less I Dream’, perfectly marries WWPJ’s traits to create perhaps their best album yet.
Unfiltered, shimmering party rock, with no strings of pretention attached… Bad Rabbits are back
“‘Ghost City’ shows why Delta Sleep are one of the most consistent and dynamic groups in straight-up math-rock”
Death and The Penguin look to cement their status with ‘Anomie’.
“‘Somewhat Literate’ recognises a host of depressive events and carries their weight with pride”
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