Review: Asking Alexandria – Asking Alexandria
This was always going to be an interesting release. As underwhelming as the Denis Stoff-helmed ‘The Black’ was, there’s was always hope that, with Asking
This was always going to be an interesting release. As underwhelming as the Denis Stoff-helmed ‘The Black’ was, there’s was always hope that, with Asking
The meteoric rise of the UK pop-punk scene has been impressive. Since Neck Deep were snapped up, all eyes turned to our nation to produce
Midway through ‘Basketball Casino’, the opening track on Gleemer’s atmospheric gem ‘Anymore’, a guitar rips through the lazy, lilting fog. It’s a moment of clarity,
It’ll be interesting to see how history ultimately judges Five Finger Death Punch. For a band who’ve been vilified, criticised and shrouded in controversy as
Norwich’s alternative rockers Lightscape are yet another British band looking for a little space on the ever more crowded alternative scene. On the basis of
You can always rely on Europe to bring it with the loud/quiet post-hardcore – but it’s always exciting when a band manages to put a

“‘Songbook’ highlights the wealth of good songs Turner has in his catalogue so far.”

Since forming in 2015, there has been no stopping Frank Carter and the Rattlesnakes. With a formidable live reputation alongside two stellar full-lengths, they’ve gone
Australian five-piece, Statues, explore a new direction on their second full-length, offering a thicker, atmospheric sound. After a line-up change that added Alex Shom on
There’s something of a culture clash as one approaches Glasgow’s heralded Garage tonight. A sea of psychotic harlequins are chugging energy drinks and throwing gang
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