Review: Normandie – White Flag
“Normandie provide 12-tracks full of hooks, mosh-worthy moments and grandiose”
“Normandie provide 12-tracks full of hooks, mosh-worthy moments and grandiose”
Hands Like Houses dive headfirst into new ground on ‘-Anon.’
Anthemic pop-punks A Few Too Many give us a guide to the university city of Cambridge.
“‘The Silver Scream’ has no right to be as fun as it is”
Indie-rock duo Compass & Cavern blend rhythmically fun pop-melodies with grinding, blurry choruses and hooky vocal lines. We spoke to Will and Chris about their adopted hometown of Denver, Colorado,
“‘AAARTH’ is The Joy Formidable’s step into the unknown.”
“I feel like ‘In Spite Of Me’ is a really accurate representation of us through music.”
Toronto’s Like Pacific aren’t affected by “second album syndrome” as guitarist Greg Hall tells us.
‘Glue’ serves as a truly solid debut album and shows more than enough promise of what EMP!RE could do
‘Misery’ sees The Amity Affliction push towards a more accessible, electronically-fuelled sound that just feels incredibly forced and unconvincing
The Reading & Leeds Festival is finally here! Take a look at ten bands you can’t avoid to miss.
‘Perspectives’ showcases a good collection of songs but Send Request fail to stand out from the crowd
“Deaf Havana are able to relentlessly continue to stay fresh and different”
Eat Defeat remind us of the unpolished, “who cares?” days of pop-punk on ‘I Think We’ll Be Okay’.
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