Review: Arlington – A Walk Through Jackson County
“Arlington’s sound is undoubtedly accessible, with a solid understanding of what makes the most popular garage-rock bands so highly regarded.”
“Arlington’s sound is undoubtedly accessible, with a solid understanding of what makes the most popular garage-rock bands so highly regarded.”
“‘Stop Being Naive’ is a sonic assault to the senses that pummels you with a cacophony of genre.”
“‘The World Doesn’t Work’ should put Coast To Coast on a much faster upward trajectory”
“Write Home have captured their passions and woes with a solid set of alternative rock ballads.”
“‘Strange Entertainment’ is a curious affair, awash with ambiguous themes and unpredictable song structures”
“‘9’ is a short but sweet, reflective, and memory-filled journey.”
Minus The Bear’s deliver a disappointing swan song on ‘Fair Enough’.
Our Hollow, Our Home continue to head in the right direction as they comprehend five stages of grief on ‘In Moment // In Memory’
Coheed & Cambria, along with CHON, served up a memorable night in Manchester.
Here’s what AH’s Ian Kenworthy witnessed earlier this month.
a perfectly robust, melodic emo album yet ‘Truth In Comedy’ can feel a bit basic
“Stand Atlantic have written a debut album that fulfils their potential”
“‘Rue’ goes far beyond anything Hellions has put out previously… a genuine work of art”
It may have been unfortunately later than expected, but Knuckle Puck, Tiny Moving Parts and Movements didn’t disappoint in Nottingham.
‘Last Building Burning’ finds Cloud Nothings undoubtedly making the most of their melting-pot of sounds that should be better than this.
AH’s Ashwin Bhandari was in attendance as Walnut Creek’s The Story So Far made their return to London with Citizen as support.
“An amalgamation of indie, emo, and folk, ‘Two Passing Ships’ ebbs and flows”
“‘Body Feel’ is a solid record, part wild animal, part lovable stray”
With ‘Closure’, it’s time for As Everything Unfolds to get noticed.
Remo Drive and Field Medic make their long awaited UK debut in Brighton.
AH’s Ashwin Bhandari witnessed the intimate show.
Hands Like Houses dive headfirst into new ground on ‘-Anon.’
On ‘Weathered’, Seasonal provide a nostalgic sound, but still feels fresh and contemporary”
Basement continue to explore and expand themselves on ‘Beside Myself’
It’s frustrating that Sylar seem intent on bringing rap-metal back, despite their strengths clearly lying elsewhere.
On ‘In Our Wake’ the results are as wild as they are weird”