Review: Unprocessed – Artificial Void
12th August 2019
“It’s not like ’Artificial Void’ is completely forgettable… it’s more like a first step to bigger things”
“It’s not like ’Artificial Void’ is completely forgettable… it’s more like a first step to bigger things”
“an unshakeably solid example of pretty much everything great about tech-metal”
From Sorrow To Serenity pick out their five favourites Scottish bands; festival headliners, gloomy Glaswegians, local death metal legends and more.
Our monthly ‘Under The Radar’ review roundup is back!
This month covers recent releases from Holy Fawn, From Sorrow to Serenity, Ghost Chant, High Rise, Truth Corroded, Nightmarathons, Anxious Hands, and Wet Dreams.
‘Deathwatch’ will likely be a lot of new fans introduction to The Royal… It’s just a shame that their step-up in songwriting seems to have come as a trade for heavier production.
“Ghost Iris surrender their depth in favour of a powerful, appealing sound”
“A Pale Horse Named Death have tapped a rich seam of ideas, creating a witches’ brew of a record.”
Daniel Weber of German alt-rockers The Intersphere give us an insight to the South Western German city of Mannheim.
“Despite being varied and their angriest record to date, ‘The Grand Delusion’ isn’t as memorable as it should be.”
Copenhagen quintet Cold Night For Alligators have a wide pallet of sounds and styles. We spoke to them about their influences.
For this month’s edition of Under The Radar, we look at new releases from All Them Witches, The Arusha Accord, Walking Dead on Broadway, Canavar and Twin Jackal.
Meet four bands to get excited about – The Five Hundred, Forest Green, Morale and Felicity
‘Bleed Red’ does plenty to establish itself as one of the metal debuts of the year.
Time, The Valuator have created a powerful, worthwhile record with ‘How Fleeting, How Fragile’
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