Crywank: Reflecting On Their Turbulent Career
30th August 2019
Having recently marked a decade of their “anti-folk” project, James Clayton talks in depth about the ups and downs of Crywank.
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Having recently marked a decade of their “anti-folk” project, James Clayton talks in depth about the ups and downs of Crywank.
“‘Celebrity Mansions’ will undoubtedly polarise their long term listeners and confuse newcomers”
“Alluring and impactful… the latest chapter in the story of Aaron West is a bountiful story.”
“‘High Crimes’ has all the sleazy, wild guitar licks you’d want from the spirit of rock and roll… a well-rounded return”
“there is no sign of stopping with PUP… November can’t come soon enough”
Toronto’s PUP are back with their third LP, which as the title suggests, sees frontman Stefan Babcock and the gang deal with dark life experiences by being able to laugh at yourself and get through them with a sense of community
“The Bouncing Souls continue to push the envelope of making inspirational, generation-spanning punk rock”
“‘Anesthetic’ clumsily tries to mash Morton’s grizzly metal instrumentation with lazy, generic hard-rock tropes”
“Technically polished, straightforward and insatiably catchy”
“‘Nowhere Now Here’ is yet another expansive sonic adventure.”
Californian DIY indie-punks Mom Jeans kicked off 2019 with a tour of the UK alongside Just Friends.
AH’s Ashwin Bhandari checked out their Brighton show.
“‘Fight’ channels traumatic experiences into something positive, noisy and deeply satisfying”
“an emotionally charged, war cry against the evils of mankind”
Minus The Bear’s deliver a disappointing swan song on ‘Fair Enough’.
AH’s Ashwin Bhandari was in attendance as Walnut Creek’s The Story So Far made their return to London with Citizen as support.
Remo Drive and Field Medic make their long awaited UK debut in Brighton.
AH’s Ashwin Bhandari witnessed the intimate show.
“a wonderfully cathartic sophomore record… the future is looking bright for Doe.”
Fizzy Blood embrace the indie-pop territory with ‘Pink Magic’
Glassjaw are still a marvel to witness after all these years
I Feel Fine certainly bring a fresh take on post-rock/emo on ‘Long Distance Celebration’